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Brief After a meteoric five-year rise to the top in the cut-throat world of dazzling Hollywood and a long decade of treading water, the once-young-and-popular action star, Rick Dalton, finds it difficult to swallow that the rapacious and always hungry for new blood film industry can do without him. Sensing that his career may be nearing its end, Rick along with his sympathetic confidant and former stunt double, Cliff Booth, face the grim possibility of a mundane new life in an ever-changing 1969 Los Angeles. Now, unlike his glamorous next-door neighbours--the young director fresh off the triumphant success of Rosemary's Baby (1968), Roman Polanski, and the rising star of The Wrecking Crew (1968), Sharon Tate--Rick has to make a difficult decision. Of course, none of them is aware that their fates, and their very lives, are on a collision course with a certain Charles Manson, and his army of ferociously zealous believers. Will Hollywood ever be the same after August 9, 1969?

genre Drama

Directors Quentin Tarantino

Writers Quentin Tarantino

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CATHARTIC. A guilty little secrete from the Baby-boomer generation: I've (most likely 'We've) been wishing to do just that to the Whole Manson Family since the Tate murders! Just watched that Scene for the 5th Time, with and without Slow-motion ! I can not tell you how I've hated these shit-heads all these years! The Smug little bastards with their smirks. Leonardo DiCaprio, smiling politely. Not surprised at all.

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I am really early here. The way Tarantino describes the background of RickDalton - I thought for a second this guy was real. Cliff- not particularly known to suffer hippies gladly. He's the manliest character from all Tarantino movies, and every man should be like him. Select Site Language: Error: The page you tried to view can only be used when you're logged in. Note: You need cookies enabled to log in or switch language. [ 20] failed logins in a row will result in banning your ip! You have [20] remaining tries. Username: Password: Advanced Options: Auto Logout: Log me out after 15 minutes Restrict IP: Restrict session to my IP SSL (HTTPS): Browse website with SSL Encryption (Web browser) Connect tracker with SSL Encryption (BitTorrent client) Don't have an account? Sign up right now! Forget your password? Recover your password via email.

I mean the only one who can actually talk about Tarantino movies is Tarantino. And thats that. Once Upon a Time... in Hollywood is a movie starring Leonardo DiCaprio, Brad Pitt, and Margot Robbie. A faded television actor and his stunt double strive to achieve fame and success in the film industry during the final years of... Other Titles Ükskord Hollywoodis, Il était une fois à... Hollywood, Pewnego razu w Hollywood, Untitled #9, Once Upon a Time... in Hollywood - Extended Cut, Once Upon a Time In Hollywood, ワンス・アポン・ア・タイム・イン・ハリウッド, Bilo je nekoc... v Hollywoodu, Once Upon a Time In... Hollywood, Било једном... у Холивуду, Reiz Holivudā, Volt egyszer egy... Hollywood, Cong Qian, You Ge Hao Lai Wu..., Na Ishte Njëherë... në Hollywood, 好莱坞往事, ワンス・アポン・ア・タイム・イン・ハリウッドエクステンデッドカット版, Once Upon a Time in Hollywood, Once Upon a Time... in Hollywood, Tenkrát v Hollywoodu, Bir Zamanlar... Hollywood'da, Vtedy v Hollywoode, Chuyện Ngày Xưa Ở... Hollywood, Cong Qian, You Ge He Li Huo, Es war einmal in Hollywood, Érase una vez en... Hollywood, Había Una Vez en Hollywood, Bilo jednom... u Hollywoodu, Había una vez en... Hollywood, Érase una vez en Hollywood, Vieną kartą Holivude, Κάποτε στο Χόλιγουντ, Era Uma Vez em... Hollywood, Había una vez en Hollywood, 從前，有個好萊塢, C'era una volta a... Hollywood, Once Upon a Time in... Hollywood, Hao Lai Wu Wang Shi, #9, Ha'you Zmanim Be'Hollywood Running Time 2 hours 41 minutes Quality 480p, 720p, 1080p, 2K, 4K Genres Comedy, Drama Director Quentin Tarantino Writer Actors Emile Hirsch, Brad Pitt, Margot Robbie, Leonardo DiCaprio Country UK, USA, China Year 2019 Audio Languages اللغة_العربية, English, Deutsch, Français, Italiano, Español, Svenska, Gaeilge, Nederlands Subtitles اللغة_العربية, 日本語, Čeština, Tiếng Việt, Português, 한국어, Australia, Filipino, हिन्दी Set in Los Angeles, 1969. Over the hill TV actor, Rick Dalton, and his best friend and stunt-double, Cliff Booth, strive to reignite their careers as their failure is juxtaposed with the success of Rick's new next door neighbours: Sharon Tate and Roman Polanski. Rick and Cliff become unwittingly entangled with the infamous Manson family in the process.

Amazing how this entire sequence had me on the edge of my seat & was more terrifying to me than any horror film that came out last year. Not the best scene in the movie, maybe the best acted scene. Cliff and Brandy were awesome. Tex wants to get out and spread the gospel now, 2 minutes with Brandy and he can go spread the gospel all he wants.

Leo: “I dont need it. I dont need it. I dont need it. I NEEEEED ITTTTTTT!”. It was an excellent movie but even though the ending was happy it was sad as well, I really wish it had ended like that for real. Leo is an Inception of an actor. Beautifully crafted, the story telling of an actor who was once adored by many, only to be more or less sent to the gutter and trying to find that one chance to hit the big time again! along with his best friend and stunt double Rick Dalton (DiCaprio) and Cliff Booth (Pitt) give two of the best emotional yet crazy adventure throughout. As this isn't your swording swishing Kill Bill or gun toting Hateful Eight, Tarantino gives a different side to his collection of movies. The movie starts slow as we delve into 60's Hollywood and then the movie gets nuts.

They really showed how creepy af the Manson Family was. How eerie was Spahn Ranch? I was worried about Cliff. Damn Hippies. Not even Tarantino with his blood-soaked trademark violence can save this year from mediocrity. It's abundantly clear that his ninth film is a passion project, his love letter to 60s Los Angeles when it was deemed cool for the hippie lifestyle to integrate with mainstream America. It's substantially glossy, kaleidoscopic, heck some may even describe this three hour long "epic" as, well, epic. The only thing epic about this behemoth is Dalton's beastly flamethrower as he incinerates a group of Nazis. This is, without a doubt in my mind, Tarantino's weakest film to date and another sign of his progressive downfall in quality. An ageing television actor, his swooning stunt double and actress Sharon Tate navigate the alterations of the Hollywood film industry, with the Manson "Family" providing a suitably bleak backdrop.
Technically, this comedy-drama is good, and I'm not just saying that to ease the scathing hatred that is inevitably flying my way from Tarantino fans. His directorial efforts were effortless. Managing to sustain multiple storylines with a wide array of cameos from his ensemble cast and allowing the lead actors to chew the scenery til it's just mulch. A tribute to the art of filmmaking whilst also providing insight in an actor's mind during vast changes within the industry that made him famous. Tarantino's foot fetish aside, his ability to swoop the camera from high octane tracking shots following a horse to sub-urban houses in Hollywood hills (mostly comprising of single takes) is unprecedented. Even with a simple conversational piece, much like when Dalton meets Fraser for the first time and talks about the novel he's reading and resembling, it's executed with such confidence that it immediately entrances you. Overextended and laborious? Absolutely. Yet witnessing Dalton come to terms with his acting talent, alongside the beautiful creature that is Olyphant playing James Stacy, is oddly engrossing.
Of course, only possible due to DiCaprio's electric performance. Purposefully overacting, consistently shouting and harnessing the only developed arc out of all the characters Tarantino shoves into the film. His comedic timing, reminiscent of his venture in Scorsese's 'The Wolf of Wall Street' is impressive and allows a handful of laughs to sneak in, particularly when on the set of 'Lancer. These characters all residing in a well-designed, precisely replicated and exuberant city that encapsulated the culture at the time. The production was immaculate, accompanied by a signature soundtrack that oozes sophistication and provides a mixtape for golden rock'n'roll.
So, like I mentioned, technically this is a very proficient film. Which begs the question "why was I underwhelmed. Well, that's because nothing happens. A near three-hour collage of Cliff Booth driving across Los Angeles, Sharon Tate watching her own film and the Manson "Family" walking bare feet on lukewarm sand. It's so self-indulgent with no actual substance that it borders on being pretentious. The multiple storylines rarely mesh. Booth is the exact same character from start to finish and is only present to beat the smack down out of Bruce Lee. Tate has no purpose to the over arcing story whatsoever and diminishes the talent of Robbie who has considerably limited screen time. The entire Manson backdrop is utterly futile in terms of placement, that it seems incredibly forced during the last act (although ridiculously fantastic to watch) just so Tarantino can address the cult's motives. The length that various scenes last for was enough to send anyone to sleep, mostly due to the restrained writing from Tarantino that lacks the punch from his previous efforts. An unaccomplished conclusion that left me questioning the entire purpose of the film. Aside from Dalton being introduced to his neighbours, the start of the story is the exact same as the ending. No one has any development! When Tarantino alludes to something happening, like Booth investigating Spahn Ranch, he deviates and sets the pace back to pedestrian mode. Simply a mish-mash of cameos so that everyone working in Hollywood today can claim they were part of a Tarantino feature.
For a film that is designed to be a homage to the golden age of Hollywood, there is a distinct lack of gold to be found in this bejewelled ensemble presentation. Whilst technically proficient and wonderfully acted, the absence of substance and genuine character development makes a three-hour affair feel more like a five hour ordeal. And it pains me to say that, as I wanted Tarantino to be the saving grace of this lacklustre year.

Leo: Common Quentin I wanna talk too 9:36. An actor playing an actor playing a cowboy WTF. You said Manson picked up a couple of Manson girls a couple of times but meant to say Wilson. All of the 10/10 reviews say it all. This is a movie that sticks with you. Seen it twice in the two days it was released. On my way to see a third. 3:00. The moment you wish you had a Thompson sub-machine gun. So many bullets, so little time. Seeing this again, I realize I was wrong to fear for Cliff's wellbeing during this scene. He would've have fucked up Tex and Manson himself if they had shown up too.

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